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A First Time Finalist’s Awestruck Days at a National Romance Writers of America Conference

writers awards

With Theodora Bryant and Cara Crescent Cara Crescent: What is it like going to a Romance Writers of America’s National Convention when nominated for two awards? It’s a little different! I hadn’t expected it to be, I wasn’t up for a Golden Heart or a Rita, after all. I can’t imagine what a whirl-wind conference …

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Manuscript Evaluations & Critiques

by Theodora Bryant I’m one of those editors who say that you should never change your book based on what an agent or book-buying editor says would be “a good idea,” or “just the thing your story needs” … unless that agent or editor says he will represent you, or will put your book under contract …

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Writing a Prologue for your Book

Does your fiction novel even need a prologue? By Theodora Bryant Developmental copy editor / Manuscript evaluations-critiques Book Editing Associates; Editing-Writing.com Definition of prologue: Pro: Before. (Greek) Logos: Word. Before the word. Research indicates agents don’t like prologues and neither do readers; in fact, readers are reporting that they skip prologues because they don’t want …

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How the Pitch Works at Writers’ Conferences

by Theodora Bryant, Developmental copy editor / Manuscript evaluations-critiques Writers’ conferences are exciting venues where both established authors and wannabe writers mingle and mix and talk “how-did-you-get-your-first-break?” stories. Agents and editors hook up, do business, and both listen to the wannabe writers’ pitches and decide on the spot if that book sounds like one they could …

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Homophones Have Your Ears?

    By Theodora Bryant  | Developmental Editor, Copy Editor Book Editing Associates | Editing-Writing.com   Homophones are words that sound alike, but differ in spelling and meaning. Spellchecker has no idea which word you want to use when your sentence reads: “He went threw the door,” so it’s a good idea to nail your …

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Should You Meet Your Editor Before You Sign a Contract?

by Theodora Bryant My publishing house was located in Aurora, Colorado, not exactly a known hub for publishing. I’ve been doing freelance editing for twelve years now, about half of that time in Texas. Between the two jobs, I’ve probably critiqued and/or copy-edited somewhere between 400 and 500 manuscripts. Granted, some were repeat authors, but I …

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Loving What I Do

by Theodora Bryant Book-editing.com, Editing-Writing.com Copy editor, manuscript evaluations/critiques Just recently, one of my clients said it must get very discouraging to work with writers who don’t know the craft, when the world around me is so full of great books. That’s certainly not the case. I love what I do. The ongoing challenge for me …

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Genres of Books

By Theodora Bryant The division of genres has become a bewildering game of slots, and the meaning within those slots, and woe betide those who send in a query to an agent who reps books that are in Slot A, not Slot B. Take fantasy. Is it children’s, young adult (also called middle grade), or adult? …

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The LY Adverb As Story Killer

Theodora Bryant They are “tell” words, they are lazy words, they are smudge words, not action words, and your readers are going to drown in the goo of them, not get all on the edge of their seats waiting for the next ly adverb that describes your action. Some of the worst (which can be discarded …

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Points of View | POV

By Theodora Bryant Point of view, or POVs, are just about the trickiest of all the writing techniques one has to master to master the craft. Second only, I think, to “show,” don’t “tell.” Most of you know there are three basic POVs: First person (1PPOV), Second person (2PPOV), and Third person (3PPOV), subtitled as 3PPOV-limited …

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